![]() The use of the QR codes is optional: the exercises can also be performed without them. More than 200 QR codes optionally link to a total of 75 videos that show the execution of the exercise and to further fingering possibilities, finger combinations, alternative executions or extensions and, last but not least, lead to a large rhythm pool with several thousand possible combinations for all levels of difficulty. The basis is the left-hand pizzicato with 1, 2, 3 and 4 independent rhythm lines. By adding the feet and the bow, the whole body is integrated into the activity and the coordination between right and left is systematically built up in the sense of an independence between both sides. ![]() The most important horizontal, vertical and diagonal planes are observed. The basic coordination is built up step by step on the basis of various rhythms. The left-hand pizzicato is introduced in this booklet as a practicing technique. The practical booklet shows how all this works in detail, how best to begin and what other advantages are associated with the practice technique. This improves the rhythm stability, because it comes increasingly from the body itself. You can also add the feet and give them their own rhythm as well. Again, there are many ways to train the principle at different levels of proficiency. Next, the arc is added: So the coordination is extended to right and left. Plucking can be performed with/without layer change.One string is plucked by several fingers.The basis for this are rhythms or passages from a work.ĭifferent combinations offer themselves, e.g.: In this way, the coordination of the four fingers can be practiced in different ways, at all levels of proficiency. It is performed at different places on the fingerboard, depending on the practice goal. This technique is based on a soft, fine and precise plucking of the strings with the fingers of the left hand. Pizzicato with left hand, the practice technique *The Exercises are described in such a way that they can also be done without the videos/alternatives. a simple and international symbolic language.detailed introduction and explanations on 5 pages.applicable across all learning and teaching methods.all levels (you can start at the 1st hour).230 QR codes link to videos and further practice opportunities. Introduction to the left-hand pizzicato as a practicing technique.Left hand pizzicato as a practice technique A few minutes a day is all it takes! The booklet systematically shows how to do it. This is particularly important if you play in a band or an orchestra.Pizzicato with the fingers of the left hand can be used very easily to build basic coordination, rhythm stability and independence between right and left. Violins are one of the hardest instruments to tune by ear since they are not fretted, but the process is rewarding. Tuning by ear is an excellent way to train your ears for a better understanding of pitch and music. Still confused? Here’s a quick video that’ll help you get set up. Repeat the above two steps for G and E until all the strings are in tune, and then double-check them for accuracy.It will sound like a chord once it is in tune. If it sounds dissonant, you have to adjust the pegs on the D string until it is in harmony with the A string. Now, play the D and A strings together with your bow, and listen to them closely.Be gentle with the pegs, since adjusting them quickly is likely to break the strings. If the string is really sharply out of tune, adjust the peg of the string until the pitch is roughly correct, and then fine-tune it for greater accuracy. ![]() Tune your A string according to this reference until it resonates and is perfectly in tune. Play the string you are tuning, and listen to the reference.Use a reference note from a metronome, a tuning fork, or another instrument. Use the right hand to play the strings using the bow, and the left hand to adjust the tuning pegs.Hold the violin on your shoulder as you would while playing.Then, follow these steps to tune your violin by ear: The process of tuning by ear begins with checking that the violins pegs are functioning correctly, the strings are wound correctly (and do not slip), and that the bridge is positioned in the right place, perpendicular to the face of the violin.
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